The premise of “God’s Country” paints the proverbial “two Americas” with the broadest possible brushstrokes, pitting a Black, female humanities professor (Newton) against two white hunters who trespass on her property. Here’s some of what IndieWire’s Christian Zilko had to say about it when it first premiered:
BEST RECENT DISNEY MOVIES MOVIE
“God’s Country” flew a bit under the radar when it was released last fall after a low-key Sundance debut in January 2022, but this intense Thandiwe Newton vehicle is the kind of movie that’s ripe for rediscovery on streaming. It’s less assured and complete than “Return to Seoul,” perhaps, but it shares that film’s keen sense of alienation in a world aglow. Enter: Film Movement Plus, who have stepped up to the plate and brought “Diamond Island” to the States, and given domestic audiences a long-overdue second chance to catch up with this dreamy coming-of-age sketch about an 18-year-old boy who leaves his rural village in order to find construction work on a glitzy pleasure island off the coast of Phnom Penh. Chou has only made one other scripted feature, and until now there was nowhere that his newly minted American fans could find it without resorting to piracy. Davy Chou, 2016)ĭavy Chou’s astonishing “Return to Seoul” is one of those movies that instantly makes you want to watch everything its director has ever made or will ever make, which is a bit frustrating when it comes to a young filmmaker whose body of work is both slim and hard to see. Ditto João Pedro Rodrigues’ scorching musical-comedy “Will-o’-the-Wisp,” and the Dardennes brothers’ singularly devastating “Tori and Lokita,” which is the Belgian duo’s angriest film and a movie capable of rattling you to the bone no matter how you watch it. Hlynur Pálmason’s epic “Godland” may lose some of its luster on the small screen, but this rugged tale of a 19th century Danish priest journeying to a remote corner of Iceland should prove transporting all the same. Francis” to less-discussed later work like “The Age of Medici” and 1974’s “Cartesius.”Īnd yet, despite all that (in addition to Susan Seidelman and George Méliès retros, too!), the real highlights of this slate might be the one-offs, which offer subscribers a chance to catch up with some of the year’s best films. Artificial Intelligence.” These movies could hardly be more different, and yet all of them serve as compelling reminders that entrusting the future to AI is a more complicated proposition than some corporate overlords might imagine, and paying human writers is probably a more rewarding bet all around.īut that’s just the tip of the iceberg, as the Channel is also serving up a pre-“Priscilla” retro of Elvis classics (all the obvious titles, with “Flaming Star” dropping on September 1), a collection of mid-century British noir that’s perfect for cooling off (“Green for Danger,” “Time Without Pity,” etc.), and - for those who don’t mind the heat - a Roberto Rossellini retrospective that covers everything from “Rome Open City” and “The Flowers of St. Surveying the various roles that artificial intelligence has played in cinema over the last 50 years or so, the wide-ranging program spans from the lo-fi comedy of “Dark Star” and the high-silliness of “Zardoz” and “Johnny Mnemonic” to the existential crises of “Ghost in the Shell” and Steven Spielberg’s heart-shattering “A.I.
BEST RECENT DISNEY MOVIES SERIES
It starts with their big themed series of the month, which offers a fun take on a depressingly relevant theme: AI. Jean-Pierre & Luc Dardenne, 2022)Ī sweltering embarrassment of riches even by the streamer’s already ridiculous standard, the Criterion Channel’s July lineup would be more than enough to keep you busy for an entire summer. On the other hand, there’s no such uncertainty surrounding Peter Nicks’ Sundance-minuted “Stephen Curry: Underrated,” which focuses on its namesake’s formative years at Davidson College, and finds one of the country’s most probing documentary filmmakers trying to explain one of the country’s most dominant athletes. The jury’s still out on “The Beanie Bubble,” which continues the recent trend of business biopics with what appears to be a very Zach Galifianakis-like take on the Beanie Babies phenomenon - it drops towards the end of the month. Apple TV’s original programming remains scant when compared to some of its competitors (not necessarily a bad thing), but that helps call attention to each new movie they premiere on the service.
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